Lindsay Flowers, oboe
David Perry, violin
Christopher Ramaekers, conductor

Cimarosa: Oboe Concerto in C Minor, featuring Lindsay Flowers
Bach: Concerto for Oboe and Violin in C Minor, BWV 1060R (1736), featuring Lindsay Flowers and David Perry
Sibelius: Symphony No. 5 in E-flat Major, Op. 82 (1915)

Dr. Lindsay Flowers is the Assistant Professor of Oboe at the University of Wisconsin-Madison Mead Witter School of Music where she is a member of the Wingra Wind Quintet and guides student-generated community engagement projects. She received a Doctor of Music degree from Indiana University’s Jacobs School of Music under the tutelage of Linda Strommen and Roger Roe. Her background in athletics distinguishes her pedagogical approach in her emphasis on performance visualization, disciplined commitment, and supportive teamwork.

Lindsay is an Oboist and English Hornist with the Madison Symphony Orchestra and Wisconsin Chamber Orchestra. She previously was a member of the Milwaukee Ballet Orchestra, New Mexico Philharmonic, Quad Cities Symphony Orchestra, and Civic Orchestra of Chicago. Lindsay was a founding member of the Arundo Donax Reed Quintet, Bronze Medal Winners of the Fischoff National Chamber Music Competition and recorded a duo album with Dr. Andrew Parker to be released in 2023. She has performed with the Milwaukee, Chicago, San Francisco, Indianapolis, Utah, and Nashville Symphony Orchestras and during recent summers with the Santa Fe Opera, Grant Park, Midsummer’s, Lakes Area, Apollo, Bach Dancing and Dynamite, Lake George, Castleton, Aspen, and Banff Music Festivals.

In addition to performing and teaching, Lindsay is recognized for her maintenance and repair of oboe and English horn gouging machines, particularly those designed by Ferrillo, Graf, Kunibert, and Gilbert. Lindsay is also curating gouger clinics for students and professionals to share her knowledge in this specialty.

Violinist David Perry enjoys an international career as chamber musician, soloist, and teacher. Mr. Perry has performed in Carnegie Hall, most of the major cultural centers of North and South America, Europe, and the Far East. Mr. Perry joined the Pro Arte Quartet and the UW-Madison faculty in 1995, and was granted a Paul Collins Endowed Professorship in 2003. The Pro Arte celebrated its Centennial Anniversary in 2011-2012. Composers commissioned for the celebration include William Bolcom, John Harbison, Pierre Jalbert, Walter Mays, Benoit Mernier and Paul Schoenfield.

Former concertmaster of the Aspen Chamber Symphony, Mr. Perry was on the artist-faculty of the Aspen Music Festival and School for nearly two decades and continues to tour the U.S. annually as founding violinist of the Aspen String Trio. Currently concertmaster of the Chicago Philharmonic, he has been a frequent guest concertmaster with such groups as the China National Symphony Orchestra, the Ravinia Festival Orchestra, the American Sinfonietta, and Orpheus Chamber Orchestra. Active with Orpheus since the late 1980s, he may be heard on many of the ensemble’s Deutsche Grammophon recordings. Mr. Perry’s chamber and solo recordings can be found on the Delos, Naxos and Albany labels. He performs in the summers as first violinist of the Midsummer’s Music Festival in Door County, Wisconsin.

A 1985 U. S. Presidential Scholar in the Arts, his first prizes have included the International D’Angelo Competition, National MTNA Auditions, and the Juilliard Concerto Competition.

A native of Illinois, his early training was with John Kendall and Almita Vamos, followed by studies with Dorothy DeLay, Paul Kantor, and Masao Kawasaki at the Juilliard School. Thanks to the Nathan McClure Opportunities Fund, Mr. Perry plays on a 1711 Franciscus Gobetti violin, arranged by Chancellor John Wiley and the UW Foundation.